Ndaka Yo Wiñi has a very strong stage presence, with which he holds center court. Resplendent in a flowing customised African robe, he clutches a calabash that holds some kind of elixir, which he intermittently drinks. This is my first time witnessing Ndaka in performance. I met him this week at the Jack Nkanga gig; by the way, that strong presence is ever present.
Flanked by his group of excellent musicians, who he loves, Ndaka gives immediate grand Kudos – in fact, their introduction occurs after the first song – unlike most vocalists, who wait till the end of the set to introduce their musicians. Ndaka wants us to know who is up there on stage with him creating those grooves and swathes of ambient waves on which he can glide from bird-warbling sounds to smooth tenor, dynamically rising to a choral-like falsetto all in the space of a very impressive, but way too short, set. At times I am transported to a smooth Shadesque light jazz vibe: the music stays clean, no rough edges here – which I must say, I think he could benefit from (that’s just my personal opinion). I like grating frequencies, so yeah, Ndaka’s sound is smooth, but in a very personal way, and it’s all Africa, and he just keeps pouring it on. Noteworthy in the group is the bass player, who shines both on bass and through glowing personality; and yeah, the brother has got some cool dance moves. The entire group gels; it’s obvious that they love to play together and love to play with Ndaka.
Ndaka Yo Wiñi has a new album coming out this month. Sorry not to be able to give you names and the album title – that will happen soon. Watch out for the interview.